I have no ideas, but I must post

Well, that’s not entirely true. I have ideas. That’s not the problem. However, all of them seem self-indulgent and only of interest to me.

As I try and get myself together for the end of the ear, I’m racing in so many directions, and I can’t focus on what to do with today’s post.

Then, of course, I get that annoying self-loathing which is reminding me that I’ve failed to post on the previous two Sundays, and I’m feeling uncertain whether I’m going to have something ready for the next Sunday, which is, of course, Christmas.

All of this is served alongside my to do list, which includes a bunch of stuff that I was hoping to accomplish before Christmas.

This, apparently, is translating to a ramble-y stream-of-conscious post.

I just finished watching American Horror Story’s season finale, and as messed up as this season was (content-wise), I learned that they’re essentially creating a season-long anthology show, and that’s inspired, and inspirational to me.

I’m supposed to go to work tomorrow, and I will need to deliver some Christmas presents tomorrow night, before I go to my mother’s  for the holiday itself, and I’m honestly feeling like the holiday is something of an annoying distraction, and I’m resenting it, and feeling a bit Scrooge-y. In point of fact, I’m not feeling that Christmas is anything but a day of deadlines, presents due, column due, blog post, due.  Then the day after Christmas, I start working on the stuff I wanted to have done *before* the holiday, but, is now late, so I’m playing catch-up instead. Family photo album “Christmas present,” which I’ve only just started.  Backlog of writing work I failed to get done during the past two weeks.  Oncoming deadlines of ornaments (Jan. 7), thank you notes to write (Jan. 3), newsletter (Jan. 1), blog posts (2 plus a Word of the Day) and columns to send out. Columns which no one is even reading.

And they say that the holidays are stressful. No solid waste matter, Sherlock.

Part of me is glad I’ve given myself so much to do in the last few weeks, because it helps to distract me from feeling depressed about the holiday. Much better to  have little sense of the season than to notice that everyone is spending their holiday with children and significant others.

That busy plan was working pretty good until I wrote the above paragraph. Thanks so much, brain, for that one.

Does this post serve any purpose except to make feel slightly better about myself for not missing yet another deadline?  I’m not even sure I’m not just going to delete this thing, and just live with the continual shame of missing deadlines. Is that better? I don’t know.

I’ve got at least another hour’s worth of work to accomplish tonight, and I’m cold, and long for a warm bath and bed. I’m this close to letting that seduce me away from doing anything meaningful tonight.

Expletive this. I’m posting, and then thawing in the tub for a bit.

Letters from Santa

One of the things that is both a challenge and a joy for me every Christmas is the annual Santa letters. By this I don’t mean a holiday letter to my family, or a letter I send to the dead-letter bin at the Post Office, but rather, the letter I write from Santa to some of the special kids in my life.

I’ve been doing this for nine years now, and I think about them for months before I sit down and write them. I try and think of new adventures for Santa, and for the cadre of characters I’ve invented over the years. I try not to do too much duplication, and tried not to make them too scary.

I goofed one year, and one of the kids was really scared by the story, and, even though Santa triumphed in the end, it was scary for that kiddo in particular. Some of the younger kids weren’t bothered by the same story, it just happened to hit on specific fears he had, and I felt really horrible about it, not just for misjudging it, but, for not knowing my audience well enough to anticipate that.

I write the story first, either on the computer or long hand, then transcribe it onto Christmas paper in script. This serves two purposes, first, Santa would never print. He’s old school. Second, I always print, and no one would guess, from comparing my script to my print that they came from the same person.

I personalize it as much as possible, and try to refer to the things the kids are getting from Santa. I also try to mention things that “only Santa would know.” It takes at least an hour to transcribe the letter into script, and if I make enough mistakes, I start the page all over again.

The stories have had real white elephants, and black polar bears, and a whole mythology about the North Pole. Looking back on them year after year, they make me smile, and I try and imagine hearing them for the first time as a child on Christmas morning.

The hardest part for me is that I rarely get to see the kids’ reactions to the letters. Only twice have I been present on Christmas morning, when my sister read the letter for my nephews. I’ve missed seeing the faces of my namesake and my goddaughter hearing the stories for the first time, and I’m secretly wondered if they even liked them. I’d hear a few things from their parents, but, it’s not the same thing. And, I couldn’t very well ask the children about them.

I won’t wonder about that so much after this year. The letters seem to have a cumulative effect. First, the oldest child for whom I’ve written them (who just turned 12), still believes in Santa, which is later than I myself did, and I suspect that a good part of this is due to the fact that he’s gotten personal letters from Santa since he was three.

This year, when his family was putting up the tree, he collected all the letters from the past years, and took them to his room to study them. He analyzed the handwriting looking for secret codes, or a clue to Santa’s identity. He wanted to volunteer to go to the North Pole and help Santa fight the Nightmares. (The Nightmares are the very thing that frightened him six years ago.)

So, I guess, they had an impact.

Santa told him that while there wasn’t any coded message in the previous letters, it was a fun idea, and maybe next year he’d do that. I’ll work on it. Santa also told him that his sister needed him more than he did, but, that his offer was appreciated.

What I wanted to give these kids was a touch of magic, something that they would remember for their whole lives, even after they no longer believed in Santa. I would’ve done this with my own kids, but, as it’s increasingly unlikely that I will ever have kids of my own, I would just have to do it for other kids I love.

I don’t know how long it will last, and I suspect I will miss doing it for them when they’ve moved on. But, for now, I’ll enjoy that little touch of magic, and look forward to talking with the kids about the stories when they’ve grown. Maybe, they’ll let me write them for their kids one day.

The Graveyard Book, by Neil Gaiman

As pretty much everyone knows, I’m a big fan of graveyards.  I’m quite fond of Mr. Gaiman, too, and so, it was time to check out this novel. From the library, ’cause, well, who doesn’t love the library?

I started this book last weekend, and have been reading it in spare moments. I finished it tonight, and am not at all ashamed to admit, I found myself  fighting tears in those last pages.

The Graveyard Book is the story of a young man who finds shelter as a toddler in an old graveyard. He’s protected by the ghosts from the man called Jack, who killed his family, and means to kill the boy.

The boy, who comes to be called “Bod,” short for “Nobody,”  is raised by the dead, who give him an education in more than just reading, writing and ‘rithmatic. He learns the history you can’t get in a text book, plus handy tips on how to stay hidden from the killer lurking just outside the gates of the cemetery.

Like most of Gaiman’s stories, there’s magic and myth woven together in the framework of the contemporary world.  The ancient cemetery, which holds many secrets and things beyond the experiences of the living, is an evocative backdrop for the tale as the lad grows up and has adventures in the land of the dead that he calls home.

I admit, part of me is jealous of a boy raised in one of those ancient burial grounds that traces its origins through millennia.  The sense of a place that reaches across great swats of time, binding past, present and future in that common human experience of life and death,  is magic in itself, even without the touch of the “fairy magic” in the tale.   How wonderful it would be to speak to the people whose names are etched on the stones, and learn about what they saw and learned, and find out what inspired their maddeningly tantalizing and vague epitaphs.

I will also admit, that I have, after spending time transcribing and photographing a cemetery, felt like I had a connection to the people that rest there. This probably sounds ridiculous, yet, still, it’s there.

I’ve come to notice that each cemetery has its own personality. This personality is a weird blend of those buried there, who “express” themselves through their markers, both in the art, and in the words they leave inscribed on the stone.

I always have had a good memory, and it seems to have an especial facility with cemeteries. I can always find, within a few feet, where a specific marker is, months or even years after I’ve completed the block. You say a name, and I can see the stone, and its surroundings. I can usually even recall the material it’s made of and the general look of it, each as unique to me as faces in a crowd.

The idea of knowing a cemetery as Bod does, every marker and tree root,  is, perhaps strangely, comforting to me. He had the additional bonus of knowing what the “residents” looked like, how the talked, and their own unique speech patterns, inextricably linked to a time long ago.

The graveyard that is Bod’s home had that same sense of place to me, and felt as authentic a cemetery as the ones I’ve visited. Through the book, I got to  know this place. It was hard to know that one day, the living boy would have to leave his home.  I could not help but feel that loss along with Bod, and there’s something beautiful in a story that can take the reader along the same paths as the main character.

 

There are more things in heaven and earth…

A few months ago, I started working on my grand scheme to self-syndicate a column. It’s been something that had been in my head for longer than I care to admit, and before I knew what it was I would write about, or what the style would be.

I wrote many sample columns, I threw out many ideas, and finally I had hit on the style that felt “right.” Sure, it needs work to continue to improve and polish it, but, I could *hear* the right notes, and the false ones, for the most part, at least. It’s a work in progress.

I sent my first dozen or so to a few friends, and then, asked them to pick their favorites, the best of the best, the ones that I would use as my samples, the ones for the query packet.

One of the top vote-getters was the one about the “Cafe Du Monde.” I wrote it over my lunch hour one day, it was one of those that came pretty easily.

In the story, I have a conversation with a co-worker about the famous restaurant.  The co-worker was, in reality, a kindly gentleman, who’d been working at our workplace for many years, long before I did. His name was Buz Newman.

I sent my first batch of query letters out on Sunday. On Tuesday, I learned that Buz had died.

When I wrote the piece about the Cafe Du Monde, I thought about Buz. I think about him every time I see a Cafe Du Monde mug. I’ve not even seen or talked to the man in more than 5 years, but, he was the kind of person that sticks with you.

He was a man of subtle wit, and was a well-rounded sort of person who had good taste, and knew many things about a variety of topics. He was a person who didn’t ramble, nor did he say much at all, but, when he did, he conveyed a good deal with just a few words and a meaningful expression. He listened well, and when he was met with a puzzle, he would doggedly pursue the answer until he had it.  He would work for hours, ’round the clock, to get things back in working order, and not complain a bit, nor show any outward sign that he’d been at this for days straight with no rest.

I had not really thought this much about him, or remembered all these things about him until I saw his picture, and the obituary, and shared stories with others who’d known him. I wondered if there was some cosmic timing about the column going out to the wider world, and me learning that he was no longer in it.

I am now also wondering if he is mad that I turned him into a chatty woman in the story. The reality is that he’d said nothing more than “But of course,” when I’d asked him about the beignets, and he smiled broadly, and with that twinkle in his eyes, I knew he was pleased.

I am glad to have known this gentle, wonderful human being. I hope he’s still smiling, and will forgive my touch of “poetic license.”

Anyway, rest in peace, my friend.

 

When I Have Fears

Knowing that it’s Thursday, I’ve been thinking all day about what I was going to post. I’ve had a week where I didn’t quite keep my writing regimen as strictly as I should’ve, which is something I struggle with all the time. This meant, that I had nothing written in advance of today, and no real idea about what to say.

I got home this afternoon after Thanksgiving dinner, and decided I needed a nap. When I got up, my favorite Keats poem popped into my brain, and as the first thought I had, and I figured it was time to share it with you.

WHEN I have fears that I may cease to be  
Before my pen has glean’d my teeming brain,  
Before high pil`d books, in charact’ry,  
Hold like rich garners the full-ripen’d grain;  
When I behold, upon the night’s starr’d face,          5
Huge cloudy symbols of a high romance,  
And feel that I may never live to trace  
Their shadows, with the magic hand of chance;  
And when I feel, fair creature of an hour!  
That I shall never look upon thee more,   10
Never have relish in the faery power  
Of unreflecting love;—then on the shore  
  Of the wide world I stand alone, and think,  
  Till Love and Fame to nothingness do sink.

There is so  much I love about this poem. It’s like, decades before I was born, Keats reached across time and space and looked into my brain and described it perfectly.  I probably wouldn’t have used a sonnet, but, hey, it’s his thing, and he’d already breached time and space, I’ll cut the guy some slack.

I think about this poem at odd times. I hadn’t thought of it in years, but, in the last few weeks, it’s popped into my brain on a semi-regular basis. It’s comforting to me, and I feel a little less lonely, and it calms my “teaming brain” just a touch.

Yeah, I know. Some people rub stones when they’re in need of soothing, I get “ear-wormed” by poetry.

There’s something about the familiarity of the fears haunting the edges of this poem. It’s nice to know I’m not the only person to have them, and that they are common enemies of creative people.

There is this juxtaposition of a mind full of ideas and the worry that time will slip before all the ideas can be brought to fruition. Not only is there a fear that something so wondrous as a starry sky will not be captured and admired in the form of poety or even prose, even in so much as a clumsy shadow of itself, there’s the scary notion that ideas will be left unexplored, or unharvested.

I share all this with you because maybe it’ll be soothing to someone else out there. Also, it was the only idea I had, and I’m opposed to wasting ideas, especially when I’ve got a self-imposed deadline looming.

Since it is Thanksgiving, I will bow to tradition, and express my thanks. I am feeling especially grateful for the people who are reading this. That’s right. I’m grateful for you. Thanks for spending your time with me.

 

Stand up to your creativity!

Lately, I have  gotten tired of people exclaiming “oh, you’re so creative!” I am not tired of the statement because I’m suffering from a bout of false modesty, so stop preparing counter arguments to try and agree with all those people who tell me this.

When I hear this phrase, I hear the speaker evicting their own creativity. The wonderful compliment feels like they’re saying I’m something they are not, and by saying I’m creative they are excusing themselves from the same “burden.” I can almost feel their self-doubt patting their egos on the head for acknowledging creativity, without taking the risk of being creative. “Good show, old man! Project Mediocrity is well on track! All sectors reporting the mission parameter: “Re-enforce non-creative paradigm” is well ahead of schedule, and secondary goals of “Avoid Risk,” “Remain undetected” and “Blend In” are nearing completion.”

I also hear echoes of that monologue from Six Degrees of Separation, where the speaker is talking about how creativity has been separated from ourselves, as if it was something other than what we are. Most the time I see Will Smith’s face and hear his delivery of the speech. And I see all the pretentious people lapping up every word like they were dying of thirst. “…all those dwarves, so creative.”

They also radiate this smug condescension of creativity. They have this look of pity mixed with horror at the idea of a trade based on something so intangible as “making things up.”

In this simple statement, there’s just a hint of “How wonderful it is to be creative,” which sounds more insincere then complimentary. And, I’ll admit, it is wonderful to have embraced creativity and acted on it.  I won’t lie, allowing myself to be creative is pretty much my favorite thing about life. But, it’s also really hard much of the time. There’s the constant battle with those forces trying to keep you from doing that work.

In “The War of Art,” Steven Pressfield refers to this as “The Resistance,” and it’s fierce and bitey and seductive. It wants you to be comfortable, and sitting on the couch taking no risks.

There’s a ton of work in being creative, and there is loneliness and fear and doubt. There is failure, and trying to learn from it, and then trying it all over again. There is vulnerability. There is exhaustion, and there are times when I can’t take yet another idea popping out of my head. There are days when it feels like I can’t possibly be sane, and when the noises are so loud they are deafening and it feels like my head is going to explode.

That one little statement, “You’re so creative,” feels awkward to me in so many ways. It turns creative people into the “other,” the inexplicable, untouchable freak show. It feels patronizing and a bit like someone is saying, “Awww, look at the poor mentally ill person. Aren’t they just God’s special people?”

Frankly, we are all God’s special people, and it’s time that people stand up to their own creativity. It’s not a freakish part of yourself to be hidden so that the neighbors can’t see it. It’s your own unique genius, and it wants you to take it up on its offer of happiness, long term growth and fulfillment. Because, as tough as it is to fight “The Resistance,” one of the chief rewards is being in concert with yourself. It’s about making yourself whole, and allowing you to be greater than the sum of your parts. Stop ignoring that voice in your head wanting to get out because you feel like it’s silly and a waste of time. Take that risk.

Me Write Pretty One Day

Everyday, I write 500 words. It’s more than a goal, it’s a way for me to keep creating something. Most of those 500 words you don’t see right away. They’re the 500 words I just force myself to get down.

I do this at oh my gosh o’clock, early in the morning, at a time when even the sun laughs at me because it wouldn’t be caught dead doing anything at that hour. But, that’s the time when I’m not conscious enough to think every idea or word that I’m putting down is terrible. The editor in my brain is still asleep, so, I can get stuff by her.

Which is not to say that it’s always good stuff.

But, it’s stuff that is now out of my head, and in a format that I can start to shape and turn into something. It might be a something that ends up significantly shorter than 500 words. It might end up needing many more words. But, all of that is part of the process. (Yikes. That’s pretentious, isn’t it? Let’s call it something else in the final draft. What do you mean that it made the final draft? Is this mic still on? What do you mean people are reading this part too?)

Where was I? Oh yes.

It’s hard to call yourself a writer if you don’t write.

I have trouble calling myself a writer even when I do write. I think it’s because I know too many people who call themselves writers, and they’re terrible at it. And they never do anything with it and they never get any better at writing, and are an embarrassment to the title. It’s one of those terms they’ve chosen to put as part of their identity, and wear like a badge of honor, but, it has no outside validity. I don’t want to be one of those people. I don’t want to go around saying I am a writer, just for the simple fact that I can call myself one. I want to earn the name, not just use it. I want other people to be able to call me a writer, before I wear it like a crown.

I’m still about 100 words short of my goal for this morning, so, I need to continue, and a stray thought that this needs to be funnier has taken away my rhythm. Thanks for that, brain.

I put a good deal of pressure on myself to create excellent content. It needs to be content that people want to read. Content that they will enjoy. I don’t want to put out anything that will disappoint me or my readers. All ten of them.

Before it can be excellent content, it must be crappy content. And before it’s crappy content, it must first be content.

I want to make a joke about the content being content, but I’m not sure how to do it. I just got to the end of the previous paragraph and noticed it looked like I was saying that my content must first be content, and I wondered how to tell if my content was content, and thinking the homonyms are sometimes a pain in the tush, and I wish that my brain wasn’t so fond of wordplay because it always does that sort of thing and gets me off track.

This post is going to be an even bigger pain in the butt to edit, I can tell you that. And even though I’ve hit 600 words now, I’m not anywhere near a conclusion, so, I either need to keep going right now, or I need to save it and work on it later. Clearly, it’s a draft, and I’m not even sure if this one is anything more than rambling, so it may never even see the light of day.

What was I trying to say here?

I’m trying to say that I write something down everyday. Even if it’s crap. Even if it’s never read by another human being. I do it so that I have something written. Because, if I put it down, on a page, I can do something with it. I could re-write it and edit it and make it better, and then put it in front of an audience. Or I could decide to junk it. I can’t do any of those things unless I have something tangible to work with. Meaningful content doesn’t just appear. It’s got to be ripped out of the brain, then shaped, and polished. And so, I spend my mornings, every morning, ripping things out of my brain when it is numb and when it is half asleep, so it hurts less and barely notices. Then I’ve got something to work with. A place to start.

Thinking up a new direction

I have been thinking long and hard about posting more than the Word of the Day. Especially, of course, since I’ve not posted a Word of the Day in over a year. Someone’s bound to notice something is odd about that.

In part this is to defend my “Geek of all Trades” title, which inherently demands some sort of proof.

I myself would demand proof had I seen such an appellation anywhere else.

Some days, I wish I had not been noted as having “31 flavors of Geek” by my friends, not because I am ashamed of it, but because the truth is really painful.

And I’m a tad ashamed of it.

But only because with every flavor of geek, I get a tiny bit more foreign to the “non-geek” set.

Geek might be somewhat chic these days, but, there’s geek, and there’s downright weird.

And who knows? There’s no telling how long geek-chic will be acceptable. Should anything change, there could be pitchforks and angry mobs, and as strange as I am, I could be learning about the business end of an angry mob. If it comes to that, I don’t really want the “non-geek” to know the full extent of my “geekery.”

You won’t tell anyone, will you?

Good. We’ve got that settled.

I will be posting on three main topic areas: Television, which will feature thoughts and reviews on my current favorite story-telling medium; Colorado, which is my home and the land I love; and what I call general “geekery;” thoughts on things like games and game design, geek culture, comic books, cooking, theater, or whatever else occurs to me at the moment.

My plan is to post the Word of the Day on Tuesdays, and post on the other topics on Sundays and Thursdays.

I have a feeling I won’t be getting much sleep.

Three areas is broad. For me, it’s also tiny.

Part of the reason I want to focus on three areas is that this is an experiment. I want to explore some possible niches, and see what happens.

On a deeper level, one of my ongoing challenges is focus. I’ve always had too many interests. I’ve never really had one that was clearly stronger than the others. I’ve always really envied people who confidently announce they’ve known what they wanted to do since they were 12 minutes old.

Part of me is hoping that by focusing on the strongest of my interests that I will find where the synergy lies. Or, maybe it’ll force something to stand out. Maybe it’ll make it clear that the melody is derived from playing all the bits together.

Whatever the answer turns out to be, I’m looking forward to the journey, and I’d love for you to be a part of it. Read along, tell me what you are enjoying, why you read, and what topics tend to offer the most value to your life. Should be a fun ride.

‘Twas the night before the Holiday Party

Last week, one of my coworkers asked me to write a skit or something for the holiday party. It had to be written quickly, the video crew was coming to film the department the next day, so, if we were going to have something, it had to be done in a few hours. So, I quickly wrote this, mostly over my lunch hour, and then typed it up and did some minor quick polishing, and sent it to my boss.

It got a few chuckles from my department (Human Resources, for a State of Colorado entity), and each member of the department was going to be one of the “people” in this script.

At the very end of the day, I learned from the camera crew that they were not using audio for the film. I’d spent about 3 hours on this, and thought it pretty good, and it was never going to be seen, and had all been something of a wasted effort.

Well, I decided that even though it wasn’t a Word of the Day, it should be seen. Here it is.

PERSON1
Greetings! The HR department thought it would be nice, as our contribution to the annual holiday party, that I would read that timeless classic “Visit from St. Nicholas” for your enjoyment.

Clears throat, and begins

‘Twas the night before Christmas, when all through the house

(interrupting)

PERSON 2
Hold on a second. We can’t say Christmas. It’s far too Christian. Can we change it to “holidays” or something?

PERSON 1
But, the poem is about Christmas, there’s no Kawanza/Solstice/Hanukkah in it. And “Twas the night before the holidays? That doesn’t even make sense.

PERSON 2
We really should be all inclusive…

PERSON 1
Fine. Holidays it is.
‘Twas the night before the HOLIDAYS, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;

PERSON 3
I probably shouldn’t be saying this, but, well, St. Nicholas is a religious person. Don’t we need to be concerned about the separation of church and state here?

PERSON1
Maybe? I dunno. But, what would you like me to use instead?

PERSON3
Well, how about “Annual Gifting Guy?”

PERSON1
I have no words. (pause) Fine.

Scribbles in BOOK with PEN, making the correction.
“Annual Gifting Guy”

Resumes reading
In hopes that Annual Gifting Guy soon would be there.
The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads;
And mamma in her ‘kerchief, and I in my cap,
Had just settled down for a long winter’s nap,

PERSON4
Hold it! We have many employees with non-traditional families, and this excludes them. And what about married people with no children? Or single people? This is pretty insensitive.

PERSON1
What do you propose we do?

PERSON4
Well, maybe we need to take out the references to their living arrangement, just to be sure.

(Scribbling a note)
PERSON1
Fine. I’ll take out the stanza, and we’ll skip to the noise outside. OK? Good.
(continuing, frustrated)
When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow
Gave the lustre of mid-day to objects below,

PERSON5
I don’t think we should be using that word. It’s pornographic, and someone might feel like we’re fostering a hostile work environment.

PERSON1
What word?
(Pauses)
You mean, breast?
What’s wrong with it? It’s perfectly in context.

PERSON5
It makes me uncomfortable. Snow is not supposed to be all… you know… Not, well, compared to a woman’s anatomy.

PERSON1
It’s poetic!
Fine.
How about “crest” Does that work?
(continuing)
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer,
With a little old driver, so lively and quick,

PERSON6
We can’t call him old.

PERSON1
What?

PERSON6
It’s Ageist. How about “chronologically advanced?”

PERSON1
“Chronologically advanced?” that’s 7 syllables. Seven . To replace a one syllable word. Do you even care about meter? Honestly. If we have to change it, we’re just using  “cold” it’s not the same thing, but at least it doesn’t mess with the meter.
(continues)
I knew in a moment it must be St. Nick.
(stops self, scribbles)
I knew in a moment it must be Sir Gift.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name;
“Now, Dasher! now, Dancer! now, Prancer and Vixen!
On, Comet! on Cupid! on, Donder and Blitzen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!”
As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So up to the house-top the coursers they flew,
With the sleigh full of toys, and St. Nicholas too.

(stops self, scribbles)
With the sleigh full of toys, and Annual Gifting Guy too.
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my hand, and was turning around,
Down the chimney Annual Gifting Guy came with a bound.

PERSON7
I’m pretty that working on the roof with eight reindeer is an OSHA violation. And, even if that’s not, the chimney sure is. If he fell, would it be Worker’s Comp? And who pays?

PERSON1
Santa is NOT going to fall. And, if he does, it’s not our issue. Can we just get through this?

PERSON8
I’m not sure I like your attitude. It’s not much in the holiday spirit

PERSON1
(groans, pauses and continues)
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;

PERSON9
FUR?! That’s ridiculous. And, arriving to his workplace covered in dirt? I *know* that doesn’t comply with the dress code

PERSON1
(eyes the others significantly, but says nothing, then, continues, ignoring the comment)

A bundle of toys he had flung on his back,
And he looked like a peddler just opening his pack.
His eyes — how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!

PERSON10
Does Santa Have a drinking problem we should be worried about? The rosy cheeks and nose are worrisome. That could be an FML issue. We should send him the paperwork.

PERSON1
Santa has not requested any leave time for a problem, which he probably doesn’t have. Rosy cheeks can also just mean that IT’S COLD OUTSIDE. That’s all.

(calming)
His droll little mouth was drawn up like a bow,
And the beard of his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath;

PERSON11
He smokes?  He’s a children’s icon. He can’t smoke. What kind of example does that set?

PERSON1
There won’t be any children at the holiday party. It’s not really our audience…

PERSON11
Parents should be cautioned about this poem. It’s dangerous.

PERSON1
I’ll add a disclaimer. Happy?

He had a broad face and a little round belly,
That shook, when he laughed like a bowlful of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;

PERSON12
“Elf” is a pretty racially charged word. Can we say “small-statured-American? Or maybe “Vertically Challenged Polar Personnel?”

PERSON1
We’ve changed the poem enough. If there are elves in the audience that get mad, just send them to me.

A wink of his eye and a twist of his head,
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,

PERSON13
You know, this would be a good time to review the gift-giving policy. I don’t think stockings are covered under Board Policy, and if he’s gone over the maximum dollar value amount for gifts, it could be an ethics violation…

PERSON1
(as if not hearing the comments)

And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight,
“Happy Holidays to all, and to all a good-night.”

Joining the Gig Economy

I remember reading about people who got good jobs, worked at the same company for their whole careers, and then retired with a gold watch and a lovely pension after 40 years of service. I think it must’ve been a book of fairy tales.

Certainly, no one I know has worked for the same company their whole career. Very few have even been at the same place more than five years, and only a handful have hit the decade mark.

I’ve been thinking about all this quite a good deal the last few days, as I have, once again, become unemployed. This is the 5th time over the course of the last 12 years I’ve found myself laid off.  My penultimate (Look it up. It’s good for you) job even sent me my own job to post on their web site (they wanted someone that had more credentials and they wanted to pay that person much less than they paid me).

Of the five layoffs, four of the companies are still in existence. As befitting a geek in this age, I’ve also been part of four different dot com startups. Three of those failed. One still owes me money.

I don’t mention any of this so that I can get sympathy, or to make anyone uncomfortable.  I say it because each layoff has made me see that I’m not really wanting to jump back into that world. I’m hoping to be able to look back at this as the turning point in my life, where I’m not going to be afraid that one day, someone’s going to come in and tell me to take my stuff and go. I’m not going to have to suffer weeks of anxiety from the moment layoffs present themselves to the moment that the axe falls.  I’m hoping to turn it into an opportunity to fall on my own face. Or, maybe, be a successfully self-employed whatever I am.

And, it turns out, I’m simply joining part of the new “Gig Economy.” Increasingly, more and more people are doing this type of “piecemeal” work, multiple jobs, many different types of work, and doing whatever it takes to earn the basics of their livelihood. I listened to a discussion about this trend on NPR last week, and they said that one-third of all workers in today’s economy make their living in this fashion.

I still think the web holds an unprecedented opportunity for people to be able to build a business out of practically nothing. I’m well aware that it’s not a get rich quick environment, but, after several months of working at it slowly, the first seeds are starting to bloom, which has surprised even me.

Part of me has always craved the security of having a job, and knowing that I’ll always have a job. I’d even imagined that if I did have a job, I’d work for the same company until I retired. I’m a loyal sort of person.  Also, I really hate job hunting. Ironic, isn’t it?

My ultimate goal was to quit my job when I had managed to get a consistent revenue stream secured. No matter. There’s no time like the “living on severance” time. Here goes nothing.